“Cartoons and the historian” by Roy Douglas

Many historical books contain cartoons, but in most cases these are little more than a relief from the text, and do not make any point of substance which is not made elsewhere. Political cartoons should be regarded as much more than that. They are an important historical source which often casts vivid light on events, and which is useful both to the teacher and to the researcher. The essential of a political cartoon is that it is not meant to portray an actual event, but is designed to bring out points which are not adequately made by textual descriptions – or which can be understood by illiterate people, or by people in a hurry.

The medium of cartoons is a very old one. A famous palette from the dawn of pharaonic Egypt shows King Narmer (Menes) striking what appears to be a defeated enemy in front of a falcon, symbol of the god Horus.(1 ) It is unlikely that Narmer personally dispatched all his enemies, and even more unlikely that he contrived to have a falcon present to watch events. It is much more likely that this was a true cartoon, making an important point of propaganda. Pharaoh has divine backing. For that reason, he has been, and will continue to be, successful against his enemies at home or abroad. It is therefore advisable to support him in all his doings.

Read full article at the Political Cartoon Society.

History.com

More targeted at the American market, History.com is a very visual, games-focused site. I particularly like ‘This day in history‘ – always find it interesting to see what is focused on, and what that says about the person who’s chosen it, rather than any kind of ‘fact’ in history!

Wow, students, take note, they even tell you how to cite the site!

Best of British: Past and Present

One for the nostalgics… interesting to see how history is reconstructed, especially in a magazine which is popular overseas! “The UK’s best-read nostalgia monthly: Founded in 1995, Best of British celebrates our glorious past – and all that’s best about Britain today. The blend of cherished memories from yesteryear with features celebrating the people and the places that make Britain so special as established Best of British as a firm favourite with folks all around the world.”

History Today

History Today is a unique cultural institution, bringing the best in historical writing and research to a wide audience. The magazine created the concept of popular history, mixing styles, genres and periods to achieve a fusion of intellectual excitement and readability.

As the world’s premier, and probably oldest, history magazine, we have been published monthly in London since January 1951. Our founder was the enigmatic Brendan Bracken, Minister of Information during the Second World War, publisher of the Financial Times and faithful lieutenant of Winston Churchill. We have been independently owned since 1980.

History Today publishes essays on all periods, regions and themes of history, many of them by the world’s leading scholars. All are carefully edited and illustrated to make the magazine a pleasurable, as well as an informative, read. The depth of our archives can be explored via the search option at the top of each page.”

One of those journals that spans the gulf between academic and popular, maybe getting an article in here is not so well regarded as that of an “truly academic”, but inspiring others to be interested in understanding who they are and how they got here (historical/cultural understanding) – I regard that as key. I have fun following History Today on Twitter!

Extract from “Chapter 2: Placing the British Experience of the Propaganda Poster in Context”

As I prepare materials for ‘Film History’, it seems a good time to go back to my thesis and access the section of the varying art movements leading to British graphic design styles as the Second World War broke out.

(c) Bex Lewis, 2004

This next section draws on the methodological framework outlined in chapter one to think about aspects of form and style. It sees poster design as an encoding through which ‘truths’ were produced, and form and style as social and political entities through which ‘power’ works. We will analyse the encoding of the visual in terms of the utilitarian, the disruption of traditional ideas, the political, and as a medium for transmitting ideas. Here, we will illustrate ways in which poster design disrupts notions of high art and images produced for the populace. This relates to one ‘contest’ between artists and designers over the power to define the poster and the way it later drew on older traditions of ‘high’ art. Here, we will trace the ‘institutionalisation’ of poster design in terms of groups’ power to produce posters. As the Introduction outlined, there is a wide ranging debate about the purpose of a poster, and indeed what constitutes a poster itself, is. This is partly dependent on the differing views as to what can be considered the predecessors and origins of the poster: ‘[i]n one sense the poster is a modern invention; in another it is as old as history.’ Some have identified forerunners and precedents for the poster. It ‘could be said that any pictorial representation publicly displayed has something of the poster in it, especially if the object is propaganda.’[1] This has led to diverse identifications such as cave paintings,[2] biblical precedents,[3] evidence from the previous ‘industrialised’ nations, [4] shop signs,[5] printed notices,[6] and political cartoons.[7] Most of these, however, were produced singly. It can be argued that the poster only became a truly modern mass medium in the nineteenth century, having developed as societies and technologies evolved. Read the rest of this entry »

Dan Cohen: Is Google Good for History?

“Is Google good for history? Of course it is. We historians are searchers and sifters of evidence. Google is probably the most powerful tool in human history for doing just that. It has constructed a deceptively simple way to scan billions of documents instantaneously, and it has spent hundreds of millions of dollars of its own money to allow us to read millions of books in our pajamas. Good? How about Great?

But then we historians, like other humanities scholars, are natural-born critics. We can find fault with virtually anything. And this disposition is unsurprisingly exacerbated when a large company, consisting mostly of better-paid graduates from the other side of campus, muscles into our turf. Had Google spent hundreds of millions of dollars to build the Widener Library at Harvard, surely we would have complained about all those steps up to the front entrance.”

Read full story

“A Great Degree of Value”

As you may remember, in October this year, I partook in a panel on “Why I study history?”, so, I was really interested to see the following story in History Today (a very readable magazine):

“John Tosh argues that historians should find ways to teach undergraduates the practical applications of their uniquely insightful discipline.

How many history graduates leave university believing that their hard-earned knowledge can be put to practical use? Those entering the teaching profession or the heritage industries will need little persuading. But what about history graduates who enter business or the public service, or who undertake training for other professions? They may be persuaded by the argument that history develops analytical and communication skills. But other disciplines make the same claim with equal validity. A degree in history may not be a dead end, but for very many students it leads nowhere beyond a leisure interest.

Students can hardly be blamed for underestimating the relevance of their discipline. For they get little encouragement from those who should know better. The reluctance of most academic historians to advocate the practical application of their discipline results in cohorts of students who have little or no idea of the value of the subject. Periodically government ministers and spokespeople for the profession engage in acrimonious argument about the purposes served by the study of history. But one seldom hears a ringing endorsement of the proposition that history provides much of the intellectual equipment needed by the well-informed, critically aware citizen. To know that the past can illuminate the contours of the present is to be better equipped to make intelligent judgments about critical public issues.

At present the structure of the university curriculum makes little allowance for perspectives of this kind. Most students begin their studies with a module on the nature of the discipline, which usually gives some attention to the social role of historical knowledge. This is certainly an advance on the situation 50 years ago when history was taught in an unreflexive manner. But for most students, evaluating the possible applications of historical knowledge stops there. They are likely to encounter E.H. Carr’s definition of history as ‘an unending dialogue between past and present’, but to apply this to their understanding of the past rather than the present.

The time-honoured climax of the history degree is the ‘special subject’ in which any contemporary resonance is completely submerged by immersion in the primary sources; the dissertation involves more of the same. On some courses students may have the opportunity to study the impact of past masters of the craft on their contemporaries (Gibbon and Macaulay being prime candidates), but they are seldom encouraged to make a comparable evaluation of the major historians at work today.

My proposal is that, in order to maximise the practical utility of the subject, university teachers should make a space in which we can discuss with our finalists the bearing which their studies may have on their engagement as citizens. Studying history for three years imparts not only a knowledge of particular periods and places in the past, but the ability to think historically: to take the measure of the gulf between past and present, to recognise trajectories whose direction and dynamic may not be immediately obvious and to distinguish between what is enduring and what is transient in our present circumstances. What better preparation for life beyond university than a recognition that these principles illumine the present as well as the past?

Teachers and students of history will always feel more at ease dealing in concrete cases rather than generalisations. We now have a major resource of such concrete cases in the History and Policy website (www.historyandpolicy.org), where the application of historical research to current politics is demonstrated across the spectrum of social, economic and foreign policy. Examination questions could reflect this emphasis.

The student specialising in international relations might tackle the question: ‘Why have makers of foreign policy so often resorted to historical analogy in order to understand the present?’Students more drawn to social history might be asked to ‘evaluate the view that key features of the British welfare state today can only be understood in the light of the pre-20th century Poor Law’. Government and business leaders continue to judge academic subjects by their ability to deliver ‘transferable skills’, by which they usually mean the generic skills of analysis and communication. The fallacy lies in that slippage from ‘transferable’ to ‘generic’. Why is the argument confined to skills which are common to most disciplines? Just as valuable are those skills which are largely the property of one discipline. The next time a government minister demands that universities should focus on transferable skills, we should gently point out that historical perspective is a transferable skill; it is essential to the informed citizen and it is more carefully cultivated in university history departments than anywhere else. Our graduates should know this too. Potentially they are in a privileged position ‘to test modern experiment by historical experience’( as A.F. Pollard put it) and to contribute their insights to public debate.

John Tosh is Professor of History at Roehampton University, London. The fifth edition of his book, The Pursuit of History, is published by Pearson Education this month.”

Journal: The Poster

“The poster-maker, the pamphleteer and the tagger aim to sway the popular heart and mind through visual public interventions. As new technologies rise, turning the public sphere into a transparent, ubiquitous communications medium and a global marketplace, is the privileged status of the poster doomed or are we seeing it transformed as part of a new wave of visual rhetoric? When the environment starts to become responsive to our very presence and aware of our individual nature what is the role of the ‘traditional poster’ delivering a classical rhetorical message? This peer-reviewed journal aims to lead the debate.

The Poster stands as a vehicle for the ideas of media theorists; scholars of Cultural Studies and Cultural Materialism; for social psychologists of visual communication, for architects and designers of wayfinding schemes; for philosophers of Aesthetics and Politics, Society and Linguistics; for social scientists, anthropologists and ethnographers; for political campaigners and artist activists; for communications researchers and visual communications practitioners.”

I’ve just been asked to be Associate Editor/Peer Reviewer on this journal – apparently they contacted me before, but I never received the email! Visit the journal site.

Reinventing the Past

We bring home mementoes because we want a tangible memory of a time or place. Ulrike Zitzlsperger ponders souvenirs and how they reshape history

// It is instructive to explore souvenir shops. The souvenirs I have in mind are not those items that can be found everywhere and that have no genuine link to a particular place; things that are made in bulk and simply adapted slightly to fit the location in which they are being sold. The souvenirs that nobody you know would ever really buy, but they do, of course, sell: the little plastic televisions with a number of popular images to click through, all-black postcards of a city at night, dolls in costume, T-shirts with local images that you last saw worn at the airport. The more up-to-date range includes postcards that allow you to rebuild famous monuments, bottle openers in the shape of certain sights, regional versions of Monopoly or notebooks with town plans and index stickers – the last a nod towards the contemporary city dweller who has fallen in love with a metropolis. Souvenirs are a major industry and an important aspect of popular culture. After all, even the philosopher Walter Benjamin appreciated snow globes.

Read full story, and see my piece of travel writing on finding a Souvenir of St Ives.

Hovis: 122 Years

Doesn’t this advert give just so much to talk about in classes… it was a great introduction to my module on “20th Century British History” – interesting to see what events they pick out as worthy of note:

  • Titanic
  • Suffragettes
  • First World War (how young are those soldiers?)
  • Motor Car
  • Second World War: The Blitz, Churchill “We shall fight on the beaches”, a Spitfire
  • Street Party (Victory Celebrations or the 1953 Coronation?)
  • 1960s, including the 1966 celebrations
  • 1980s Miners Strike
  • Millennium Celebrations
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