Ellis Silas (b.1883; d.1972)

Silas began his artistic career in his fathers studio initially designing furnishing fabrics and interior décor. He trained in the studio of Walter Sickert. With a main interest in marine art, he painted English coastal towns before sailing for Australia in 1907. After a brief period in Australia, he returned to enlist in the Australian Imperial Force at the outbreak of war in 1914. He fought at Anzio and was later commissioned as an official War Artist. He fought with the 16th Batillion on Pope’s Hill at ANZAC Cove in the First World War, and painted images of soldiers on roll call. He returned to England in 1925, where he remained working until his death. During the interwar years Silas held several exhibitions in London, including a private audience with the King, illustrated the book Honour and the Foreign Legion in 1927, and later set off for Papua New Guinea ‘where he probably produced his finest work. His delicate studies of native life were his trademark’. Silas was employed as a propaganda artist in an aircraft factory in the Second World War, described as ‘an artist who has travelled widely and has exhibited at the Royal Academy and other British and International exhibitions’, producing ‘a very fine collection of posters typical of the age’. He continued to work post-war, including several pictures of Weymouth painted in 1958. A watercolour painter who specialised in marine subjects, several of his pictures are currently held in the National Maritime Museum.

Information collated from: Pictorialsonline.net, ‘Pictorials – Ellis Silas’, http://www.pictorialsonline.net/artists/artistinfofull.asp?ID=17, accessed October 4 2003.
National Maritime Museum, ‘HMS “Wave” Ashore at St Ives, 1952′, http://www.nmm.ac.uk/mag/pages/mnuExplore/PaintingDetail.cfm?letter=H&ID=BH…, accessed October 4 2003; Anzacday.org, ‘ANZAC Cove’, http://www.anzacday.org.uk/spirit/hero/chp07.html, accessed October 4 2003; Contendo, W.D., ‘The FictionMags Index’, http://users.ev1.net/~homeville/fictionmag/t156.htm, accessed October 4 2003; Silas, E., ‘The Poster in the Factory’, Art and Industry, Vol. 38, No. 228, June 1945, pp.181-184; Pictorials Online, ‘Pictorials’, http://www.pictorialsonline.net/products/results.asp?SBA=true&ArtistSL=Ellis%20Silas, accessed October 4 2003; Luxury Liners of the Past, ‘Postcard Artists’, http://www.geocites.com/luxury_liners/Artists.html, accessed October 3 2003

C.K.Shaw

Author of Industrial Publicity, and a regular industrial propaganda critique column in Advertiser’s Weekly in the later war years.

Information collated from: Shaw, C.K. Industrial Publicity, 1944.

[A.] Sevek

Such is the case of Sevek (1918-1994). Student of the Art Academy of Vienna, he worked then with the Austrian branch of the Metro Goldwin Meyer, and posters of propaganda for the British Army. After the war, we find him in Paris , where he mix with the existentialist circles. Eager to leave the capital, he goes to Eze trough Francis Blanche in 1947.The charm of Eze and the influence of Pierre Boulez’s music will lead him, step by step, to give up with the figurative art for the abstract one, attaching a growing importance to the instant, with the temporality of the keys and its breaks, its rythm.

http://www.eze-riviera.com/village/ang/famous_people.htm

Born in 1918 in Poland, Sevek used to see the famous people of the years 50, Jean Paul Sartre, Juliette Greco and… Francis Blanche
His wife will tell you how the artist became an abstract artist..

http://www.eze-riviera.com/infos/ang/visites/program_for_little_group.html

Google Translation

Note: Page to be restuctured

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