Anarchist Images

This exhibit was created in 1996 as an independent class project for ILS726 to be displayed in the Internet Public Library’s Exhibit Hall. All of the works displayed are owned by the Labadie Collection which resides in the Special Collections Library at the University of Michigan.

“The dictionary defines a poster as “a large, usually printed placard, bill, or announcement, often illustrated, that is posted to advertise or publicize something.” A second definition describes posters as “tools of commerce through their advertising of goods, services, and entertainment, or as a means of propaganda.” Since the development of sophisticated lithographic techniques in the late nineteenth century, poster-making has become an inexpensive and quick means of mass-communication. Through the use of size, bold color, simple messages, and visible and clear forms, posters have the ability to make complex and direct statements. There is an emphasis on content in a poster, as the poster maker is dealing, in a sense, with direct speech. Nowhere is this more evident than in contemporary advertising. However, the advertising artist is not the only creator to master the art of poster design. Poster art has long been a cheap, easy, and sometimes anonymous means of communicating non-mainstream messages and political ideologies. In this exhibit you will see some examples of artists, all of them unknown to us, who have employed various techniques and effects to convey messages of anger and discontent, as well as harmony and cooperation.”

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Frank H. Mason (b. 1876; d.1965)

Born in Durham in Yorkshire, Frank Mason began his career at sea, educated as a cadet on HMS Conway. Having served in the Royal Navy in the First World War, Mason became a war artist, with several such images held at the IWM. Between the wars he became a full-time artist, working as an illustrator, a poster artist for railway companies, and supplying posters and postcards for shipping companies. From 1900 onwards he exhibited at the RA, and was awarded RI in 1929. Mason illustrated the book North Sea Fishers and Fighters in 1911, and was a ‘significant artist of marine and coastal scenes, as well as an illustrator of shipping books’. Rare LNER etchings by Frank Mason from the 1930s were discovered in 2002. In the Second World War he was personally commissioned to do work for the MOI by Edwin Embleton.

Information collated from: Luxury Liners of the Past, ‘Postcard Artists’, http://www.geocites.com/luxury_liners/Artists.html, accessed October 3 2003;
AntiquesIreland.com, ‘Illustrated Books’, http://www.antiquesireland.com/booklists/illustratedbooks.shtml, accessed October 3 2003; Norden, G. ‘RCJ Articles’, http://www.carriageprints.com/rcjarticle.htm, written September 10 2002, accessed October 3 2003; Questionnaire submitted by Royall, K. to Embleton, E., Royall, K., ‘Posters of the Second World War: The Fourth Arm of British Defence’, Unpublished M.A., University of Westminster, 1991, p.123

M.

‘M’ was the signature of an artist who designed a poster for British Railways.

Information taken from: Anonymous, ‘The Poster Designer and His Problems’, Art and Industry, Vol.35, No.205, July 1943, p.23.

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